Since then, things have been gentle and calm, but in reality, times have been rough for us. The email from “Himi” (her younger sister who was a shrine maiden during the Lyra era) that she received every morning has not arrived for three days. There are three acquaintances in between me, so although I can indirectly tell them about the situation, the silence between me and Himi has been continued. Still, my days passed by indifferently, and I was feeling a little tired both mentally and physically, so I took a half-day rest yesterday.
Lately, things have been hectic, such as receiving a signal from space and then encountering the reincarnation of a family from the Lyra era in my past life. If there is one thing I should be careful about, no matter how close I am to a family member from a past life, I must not approach them any further than a certain distance.
Today is better than yesterday, tomorrow is better than today. The results of my continued progress are starting to bear fruit little by little in this life, but on the other hand, I have completely lost contact with my younger sister Himi from my past life when I was on the planet Lila. She heard Himi’s voice indirectly through a certain person, saying that for her everything was a miracle and a dream, and she wanted to leave it as it was. Actually, I want to get closer and hug you, but maybe it’s better for both of us if we stay this distance.
I thought that the only thing I could do was to continue to observe what Himi was creating, both gently and sometimes harshly.
Yesterday, while cleaning and organizing my new house, I also sorted out my own feelings.
I lost many of my past life connections on my this life. My first encounter with Bach’s second wife occurred when I was young on my this life. But that encounter had so many bad elements that I was unable to warm up or grow it. And then, I was reunited with the enemy “ninja'” who beheaded me during my time as a ninja, and at one point I hoped we would become friends again, but that didn’t work either.
When I get involved with the other person, the other person inevitably breaks down. I saw signs of this happening again this time, so I’m quietly trying to correct the trajectory of her life so as not to destroy her any further.
作曲は又してもお隣韓国の Night Tempo の手によるもの。歌詞は中山美穂。 よく聴くとヴォーカルはオババ声で、途中何か所も声を震わす低音の「オババヴォイス」が炸裂する。 冒頭の「マンマ」はヴォーカルをわざと震え声に加工したようにも聴こえるが、その辺りも魅力的な「オババヴォイス」にリスナーを心地好く騙すテクニックとしてあえて捉えよう。
私が大好きだったのは、あのStingとのコラボの “La Belle Dame Sans Regrets” を悲しげに吹いていた頃のクリス・ボッティだった。 リリース時期を調べてみたら、2004年だ。つまり今日から遡ること19年前のクリスが、私の中では最高の音色を出しているように思う。ざっと計算するとクリス・ボッティが41歳の時の音が、程好く尖がっていて程好く花びらが散り始めたような、そんな印象が強い。